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[TR24][OF] Adnata Ensemble - Oku - 2024 (Jazz | Experimental)

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Автор	Сообщение
Kon912 ^® Пол: Стаж: 4 года 1 месяц Сообщений: 10183 Откуда: Северная столица	16-Мар-2024 17:23 Adnata Ensemble - Oku- • Формат записи \| Источник записи: [TR24][OF] • Наличие водяных знаков: Нет • Год издания релиза: 2024 • Жанр: Jazz \| Experimental • Продолжительность:00:34:44 • Источник: • WEB релиз: ссылка • Контейнер: FLAC (.flac) • Тип рипа: tracks • Наличие сканов: front • Разрядность: 24/96 • Количество каналов: 2.0 • Формат: PCM ✧ 01 - Preamble (00:02:56) ✧ 02 - Fjord (00:03:25) ✧ 03 - Oku (00:01:58) ✧ 04 - Carpentry (00:00:37) ✧ 05 - Dinah (00:02:27) ✧ 06 - Foco (00:02:06) ✧ 07 - Rain (00:03:14) ✧ 08 - Talk Talk (00:02:00) ✧ 09 - Kingdom (00:01:58) ✧ 10 - Lennigton (00:02:29) ✧ 11 - BeBe (00:02:25) ✧ 12 - Piping (00:02:57) ✧ 13 - Tyme (00:01:53) ✧ 14 - Titus (00:04:13) -- foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 log date: 2024-03-15 08:44:37 -------------------------------------------------------------------------------- Analyzed: Adnata Ensemble/Scott Colberg/Ari Folman-Cohen/Ran Livneh/MICHAEL ISVARA MONTGOMERY / Oku -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR7 -0.52 dB -11.83 dB 2:56 01-Preamble DR9 -0.52 dB -11.64 dB 3:26 02-Fjord DR8 -0.51 dB -11.53 dB 1:58 03-Oku DR8 -0.52 dB -12.26 dB 0:37 04-Carpentry DR8 -0.52 dB -11.92 dB 2:28 05-Dinah DR11 -0.52 dB -13.65 dB 2:07 06-Foco DR9 -0.52 dB -11.08 dB 3:15 07-Rain DR9 -0.52 dB -11.24 dB 2:00 08-Talk Talk DR10 -0.52 dB -12.88 dB 1:58 09-Kingdom DR10 -0.52 dB -13.42 dB 2:29 10-Lennigton DR10 -0.52 dB -12.34 dB 2:26 11-BeBe DR8 -0.52 dB -11.94 dB 2:58 12-Piping DR10 -0.52 dB -12.13 dB 1:54 13-Tyme DR8 -0.52 dB -11.31 dB 4:13 14-Titus -------------------------------------------------------------------------------- Number of tracks: 14 Official DR value: DR9 Samplerate: 96000 Hz Channels: 2 Bits per sample: 24 Bitrate: 2397 kbps Codec: FLAC ================================================================================ - Double bassists Scott Colberg, Ari Folman-Cohen, Michael Isvara Montgomery, & Ran Livneh make up Adnata Ensemble. The ensemble developed repertoire and discovered a musical language during the height of the pandemic. Born of a need to feel supported in such an uncertain time, the 4 musicians created an ensemble that celebrates the bass - the support & foundation of any ensemble. The group weaves together composition & sounds with a thread of improvisation. "It’s not often that I meet mind readers. It is even rarer to meet 4 of them simultaneously. It was June of 2023 and I’d seen that my local Brooklyn Performance and Refreshment Institute (Sisters on Fulton Ave.) was having a concert featuring an upright bass (or acoustic bass / contrabass/ Bull Fiddle) quartet. It had been the first time I’d been excited to see a performance from an act that I hadn’t been producing in months. In true curiosity fashion, I messaged the group to let them know how excited I was to see them play, especially since I’d not been familiar with not a goddamned member of their posse. After being seated at the bar with my companion (we were the first ones to arrive because someone was too excited), the crew walked in carrying an array of luthiered tree remains. We chopped it up a bit and they did a soundcheck. Eventually the room filled up with listeners and the proceedings proceeded. The Adnata Ensemble lifted everyone’s spirits. The resonating tones coming from the wooden stage felt more like a dialogue between trees than accomplished bassists going at it. After the show I exchanged info with them, and a meeting was set up. Luckily, Oku had just finished up production. If one Googles Oku, a few things will pop up, but I thought it would be more important to actually hear from a few of the gents composing the ensemble. Monty – “Oku seeks to bring what is distant closer so that the interior and exterior are unified.” Scott – “with Oku, there is a focus on space, unknown/unseen (unheard/what is not being played), and what is found in that space. On a human level, I think this inevitably becomes a search of self-reflection of what’s within.” For this listener, this album Oku fits both of those descriptions closely. It is a spacious journey that never fully arrives at an expected destination, and I believe that’s the point. The lower registers vibrate and rumble to the core of the ears, and hopefully souls, of those partaking in the journey. And while I could write more about the history of this instrument, and these instrumentalists, it is the goal of Nick Turner and I to present to you a timely album that not only requires patience, but also demands that a part of your expectation must be peace of mind, body, and soul… since it’ll probably be a long, deep, and engaging journey." - Скачать Скачать бесплатно и на максимальной скорости! Как скачивать?* · Что такое торрент? · Рейтинг и ограничения

Автор

Сообщение

Kon912 ^®

Пол: Мужской

Стаж: 4 года 1 месяц

Сообщений: 10183

Откуда: Северная столица

Создавать темы 16-Мар-2024 17:23

Adnata Ensemble - Oku-

• Формат записи | Источник записи: [TR24][OF]
• Наличие водяных знаков: Нет
• Год издания релиза: 2024
• Жанр: Jazz | Experimental
• Продолжительность:00:34:44
• Источник: • WEB релиз: ссылка
• Контейнер: FLAC (*.flac) • Тип рипа: tracks • Наличие сканов: front
• Разрядность: 24/96 • Количество каналов: 2.0 • Формат: PCM

✧ 01 - Preamble (00:02:56)
✧ 02 - Fjord (00:03:25)
✧ 03 - Oku (00:01:58)
✧ 04 - Carpentry (00:00:37)
✧ 05 - Dinah (00:02:27)
✧ 06 - Foco (00:02:06)
✧ 07 - Rain (00:03:14)
✧ 08 - Talk Talk (00:02:00)
✧ 09 - Kingdom (00:01:58)
✧ 10 - Lennigton (00:02:29)
✧ 11 - BeBe (00:02:25)
✧ 12 - Piping (00:02:57)
✧ 13 - Tyme (00:01:53)
✧ 14 - Titus (00:04:13)

foobar2000 1.6.11 / Dynamic Range Meter 1.1.1
log date: 2024-03-15 08:44:37
--------------------------------------------------------------------------------
Analyzed: Adnata Ensemble/Scott Colberg/Ari Folman-Cohen/Ran Livneh/MICHAEL ISVARA MONTGOMERY / Oku
--------------------------------------------------------------------------------
DR         Peak         RMS     Duration Track
--------------------------------------------------------------------------------
DR7       -0.52 dB   -11.83 dB      2:56 01-Preamble
DR9       -0.52 dB   -11.64 dB      3:26 02-Fjord
DR8       -0.51 dB   -11.53 dB      1:58 03-Oku
DR8       -0.52 dB   -12.26 dB      0:37 04-Carpentry
DR8       -0.52 dB   -11.92 dB      2:28 05-Dinah
DR11      -0.52 dB   -13.65 dB      2:07 06-Foco
DR9       -0.52 dB   -11.08 dB      3:15 07-Rain
DR9       -0.52 dB   -11.24 dB      2:00 08-Talk Talk
DR10      -0.52 dB   -12.88 dB      1:58 09-Kingdom
DR10      -0.52 dB   -13.42 dB      2:29 10-Lennigton
DR10      -0.52 dB   -12.34 dB      2:26 11-BeBe
DR8       -0.52 dB   -11.94 dB      2:58 12-Piping
DR10      -0.52 dB   -12.13 dB      1:54 13-Tyme
DR8       -0.52 dB   -11.31 dB      4:13 14-Titus
--------------------------------------------------------------------------------
Number of tracks:  14
Official DR value: DR9
Samplerate:        96000 Hz
Channels:          2
Bits per sample:   24
Bitrate:           2397 kbps
Codec:             FLAC
================================================================================

Double bassists Scott Colberg, Ari Folman-Cohen, Michael Isvara Montgomery, & Ran Livneh make up Adnata Ensemble. The ensemble developed repertoire and discovered a musical language during the height of the pandemic. Born of a need to feel supported in such an uncertain time, the 4 musicians created an ensemble that celebrates the bass - the support & foundation of any ensemble. The group weaves together composition & sounds with a thread of improvisation.
"It’s not often that I meet mind readers. It is even rarer to meet 4 of them simultaneously.
It was June of 2023 and I’d seen that my local Brooklyn Performance and Refreshment Institute (Sisters on Fulton Ave.) was having a concert featuring an upright bass (or acoustic bass / contrabass/ Bull Fiddle) quartet. It had been the first time I’d been excited to see a performance from an act that I hadn’t been producing in months. In true curiosity fashion, I messaged the group to let them know how excited I was to see them play, especially since I’d not been familiar with not a goddamned member of their posse.
After being seated at the bar with my companion (we were the first ones to arrive because someone was too excited), the crew walked in carrying an array of luthiered tree remains. We chopped it up a bit and they did a soundcheck. Eventually the room filled up with listeners and the proceedings proceeded.
The Adnata Ensemble lifted everyone’s spirits. The resonating tones coming from the wooden stage felt more like a dialogue between trees than accomplished bassists going at it. After the show I exchanged info with them, and a meeting was set up. Luckily, Oku had just finished up production.
If one Googles Oku, a few things will pop up, but I thought it would be more important to actually hear from a few of the gents composing the ensemble.
Monty – “Oku seeks to bring what is distant closer so that the interior and exterior are unified.”
Scott – “with Oku, there is a focus on space, unknown/unseen (unheard/what is not being played), and what is found in that space. On a human level, I think this inevitably becomes a search of self-reflection of what’s within.”
For this listener, this album Oku fits both of those descriptions closely. It is a spacious journey that never fully arrives at an expected destination, and I believe that’s the point. The lower registers vibrate and rumble to the core of the ears, and hopefully souls, of those partaking in the journey. And while I could write more about the history of this instrument, and these instrumentalists, it is the goal of Nick Turner and I to present to you a timely album that not only requires patience, but also demands that a part of your expectation must be peace of mind, body, and soul… since it’ll probably be a long, deep, and engaging journey."

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