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Kon912 ®
Пол: Стаж: 4 года 1 месяц Сообщений: 10183 Откуда: Северная столица
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Carme López
Quintela
• Формат записи | Источник записи: [TR24][OF] • Наличие водяных знаков: Нет • Год издания релиза: 2024 • Жанр: Experimental | Folk • Продолжительность:00:40:00 • Источник:
• WEB релиз: ссылка • Контейнер: FLAC (*.flac) • Тип рипа: tracks • Наличие сканов: front • Разрядность: 24/48 • Количество каналов: 2.0 • Формат: PCM
✧ 01 - Prologue - Cando a Pena Me Mata, a Alegria Dame Alento (00:03:32) ✧ 02 - I - Que a Betty Chaos (00:08:33) ✧ 03 - Ii - MATICOLO. Aos Cans da Casa - Piri, Sil, Duma E Mouri (00:09:32) ✧ 04 - Iii - AVoS. a Pepe E Manuela (00:07:20) ✧ 05 - Iv - CACHELOS. a Cesar De Farban (00:07:13) ✧ 06 - Epilogue - Inflorescencia (00:03:48)
--foobar2000 1.6.11 / Dynamic Range Meter 1.1.1 log date: 2024-03-29 08:28:18 -------------------------------------------------------------------------------- Analyzed: Carme LГіpez / Quintela -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR7 -1.40 dB -10.96 dB 3:33 01-Prologue: Cando a Pena Me Mata, a AlegrГa Dame Alento DR11 0.00 dB -15.39 dB 8:33 02-I: QuГ‰? a Betty Chaos DR7 0.00 dB -11.52 dB 9:33 03-Ii: MATICOLO. Aos Cans da Casa: Piri, Sil, Duma E Mouri DR8 0.00 dB -11.02 dB 7:21 04-Iii: AVГ“S. a Pepe E Manuela DR11 0.00 dB -11.91 dB 7:13 05-Iv: CACHELOS. a CГ©sar De FarbГЎn DR9 0.00 dB -13.05 dB 3:49 06-Epilogue: Inflorescencia -------------------------------------------------------------------------------- Number of tracks: 6 Official DR value: DR9 Samplerate: 48000 Hz Channels: 2 Bits per sample: 24 Bitrate: 1601 kbps Codec: FLAC ================================================================================ - The first experimental work for Galician bagpipe, 'Quintela' is an ambitious exploration of an instrument we're obsessed with, its naturally startling tuning evoking othered sensations few other instruments hit the same way, We've said it before and we'll say it again, there can never be enough experimental bagpipe music. Misunderstood by many, the instrument should be an obvious friend to anyone interested in peculiar tunings, but it's still on the fringes of acceptability, for whatever reason. Thankfully, Spanish composer and teacher Carme López, who's an expert in traditional oral music from Galicia, has focused her attention on the Galician bagpipe, or gaita, on 'Quintela'. She was motivated to bring it into experimental music as a form of decontextualisation, moving away from its unimaginative usage in different genres and its negative traditional associations. Her skill lies in tempering its wail; playing the bagpipes isn't easy, and fashioning the drones into soft, wavering tones, like López manages on the spellbinding 'iii: AVÓS. a Pepe E Manuela', is deviously difficult. In López's hands, the bagpipe becomes a pipe organ, able to create long, swaying sustained tones that highlight the instrument's complex tonality. She plays with its breathy overtones on 'i: QuÉ? a Betty Chaos', placing microphones on the bag to pick up accidental sounds while she sculpts its squeals into cavernous siren calls, extracting rhythms from its reeds on the elegiac closer 'iv: CACHELOS. a César De Farbán'. -
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